Sunday, February 3, 2019

Response to Morgan Parker's Works

This is the work that spells out contemporary, the pleasant, unpleasant truths of our currrent moment. Parker's words make me sick with reality, I bite into each of her poems, chewing line by line, choking on her spacing and expecting to become ill but, intsead catch a glimpse of my smile in the mirror while i nod my head to her hip hop. She is so hip hop. She is so not hip hop. She is rythm and poetry, and the prose of our generation.

The truth is, the lines of Parker's poetry completly overwhelmed me as a reader. As a brown woman. As a femme. It is difficult for me to even reread some of her words, for their potency cuts me like a knife- the reason I was built is to outlast some terribly feminine sickness, I am just a slab of something. At the same time she is able to lift everything within me to rise to level of ignorant hopefullness I am a tree and some fruits are good and some are bad, my existence keeps going, I am king & athem. 

I had the opportunity to witness Morgan's work in audio format as well as on the page, as if her words  needed anymore life in them. At first I thought this alternative way of contemplating her work might make it softer to swallow, but now I am just left with Parker's voice, herself preaching her revelations:

i will never be a woman
somewhere in my memory, i was held
no one worries about me because i 
am getting paid 
it looks like a body on its knees
A trough of hearts meets me in the anxious sun
privliege and worship
this booty is smooth running water
too thick for love 
we have ideas and vaginas
portrait-ready, american blues
We is is is is is is is
What's largest is the ego, half animal growing near mint
the world would crumble without my unwavering sacrifice.
everything crazy is the best, i learned from aunties
The women are only crying
you are a live because you are a question
i know the anwser is probably cleavage
no time for lights, we have       our throughts our skin
remember the album that mattered when we were still poor?
beyonce are you sure youre okay?
it's almost obvious to interpret like teeth, or pomegranates, or ocean.
i wont have any feelings to hurt just cheeseburgers on cheeseburgers
i will address the prayer to myself
i have almost forgotten what its like to be out at sea
so i wife myself
took me a while to learn the good words
the fucking sky

                                                                              
 ringing in my conciousness. 

3 comments:

  1. Jesi!

    I definitely feel you on the way in which Parker's work cuts and mends me as a reader, as a Black woman, as a femme. We exist in a moment where we can so easily get wrapped up in the cuts, the pain, the suffering, the hurt, the ugly. And Morgan's work does not shy away from any of that, it embraces it while simultaneously making us smile, laugh, feel the rhythm in our souls. That is one of the reasons this work is so strong and I think your response highlights that.

    Also, quick question about the audio format, was that something you found online or something you went to in person?

    xoxo,
    Rai

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  2. Hey Jesi,

    I also saw a lot of contemporary elements in Parker's work. I think the poet did an excellent job of weaving contemporary culture into her poems, when I think of a piece of work that presses down on what our age group is going through today, I think of Parker's work!

    --Duane

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  3. Jesi,
    "She is so hip hop. She is so not hip hop"-yes. pulling in so many layers of the brutal and the playful joy Parker overwhelms and completely saturates with the language and the force and the unflinching realness. So many unforgettable lines and some of them so raw and cutting. thanks for sharing what ones stood out to you and how this collection landed for you.

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