Steady
Summer had a very distinct sound. The letter ‘s’ and the ‘shhhhh’ sounds play a huge role in this
poem, as well as the focus on grass songs and the movement of grass, like an
ocean, like waves. The grasses demand to be listened to, and other sounds are
heard in them: the buzzes and knocks of grasshoppers and horseflies, the
padding of dog paws across wood, the clicking of forks and scrubbing of plates,
maybe chewing, all become part of the overall sound of the grass. Out of all
the poems in this collection, this one stood out to me for creating a
soundscape, that demands to be listened to. The blue flowers on the plate
boarders meld into the blue sea of grass, which meld into the single-spaced
lines on the page, and everything is sort of permeated thoroughly through the
grass stems, which are ‘air italics. There
was something very calming about reading this, something meditative about all
the sounds coming together on the page and in the mind.
Less
calming was the poem Dilate and Left, which were heart wrenching to
read. Dilate II goes: “All is
experienced / throu / g / h / the / body / Somebody told me.” And the
spacing, I now believe, is meant to resemble the shape of a pregnant belly,
which became clearer to me after reading Dilate
III, about the trauma of giving birth. “though all experience / is through
the body…” eliminates the body as a mediator between yourself and the world,
and instead the body becomes the world, which I imagine is very clearly felt
when giving birth. Why do we conceptualize the body as something through which we experience and not as
the entirety of experience itself?
This past week, I’ve
read several articles about what it’s like to give birth in this country, and
how women experience pregnancy and birth and motherhood in a culture that often
values the life of the baby over that of the mother. I started off reading
about a new drug to treat post-partum depression, and about how the onset of
PPD could be more affordably and successfully avoided by means of providing
actually adequate care during pregnancy and in the months and years after birth,
something which is not generally done in this country. Anyway, a little off
topic, but I thought of this when reading Long Soldier’s writing because it touches
on the violence and de-humanization many women experience when giving birth. “lean back honey you are bleeding more than
expected” is a terrifying thing to hear after giving birth. Infant and
maternal mortality rates are really high in the US, and they’re highest for
women of color. Left depicts the pain
of miscarriage, with “a limited clinic closed on Sundays”, and the
psychological trauma that lingers from this. The dream baby abandoned in a
train station, baby’s experienced as poems, needing mothers, being dead and
being nightmares or ghosts. It hit hard.
Maggie,
ReplyDeleteThanks for this! I am glad I am not the only one who was feeling the momma notes and motherhood overall in these pages. As a non-mother with a mother to look up to it is bizarre to me that we as a society to not pay respects nor fully acknowledge all that it means to be a mother, birth a child, or even take a longer than breath moment to recognize the monthly expense it requires in order to reproduce our next generations if one choose to, to become a vessel for another living thing that may or may not come to be. I also think it worthy to acknowledge the physical violence and trauma a body must undertake to commit to creating life- again one that may come to walk on this earth or not.
I am great for the depth of feeling and real voice throughout Long Solider's work that helps these experiences be understood and felt on the page
Hi Maggie,
ReplyDeleteI freaked out (positively) a little when you revealed that you see a pregnant belly in "Dilate III." Now I see it! I appreciate how you ridiculous that we measure experience "through" the body, and fail to recognize that the body is the experience itself. You've posed this as a question -- why do we conceptualize the body as something through which we experience and not as the entirety of experience itself? -- and while I don't have any kind of concrete answer, I do think it is related to Western culture stripping identity away from nature, as if to conquer the elements gives power to the human body. So if our body is just a vessel and not part of the earth, by Western standards, we've "won." (Shudder)
*how you point out that it's ridiculous
DeleteI have got to learn to proofread
I also thought that "Dilate" very powerfully commented on indigenous women's experiences with birth. Birth has become so medicalized in the west, and especially traumatic for women of color, and although she didn't state anything like this outright, I felt the poem spoke volumes on the topic. I also loved the shape of the pregnant belly. So beautiful. Thank you for sharing your ideas!!!
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