Monday, April 22, 2019

Eye level

Find here: past, language, future, present, lessons.
Find here: history, yearning and movement.
Find here a vulnerability to tell truth about leaning all the ways to disguise truth- study here, time; & acknowledge the honesty of it passing.

Jenny Xie’s Eye Level reminded me of the immediate credibility I lend to a writer when I personally witness and relate to their honesty and vulnerability on the page. Throughout the work I found myself meditating on the pieces where Jenny exposed her relationship to writing. Beginning at an early age   (even when I was young, I loved peering at faces in films. The pleasure of watching and of not being watched) , Jenny highlights the beginning of her relationship with writing did  not come with the introduction of a pen or pencil,but rather with the weight of old memories resting upon her; memory sticks like cartliage to the meat of those with the most words. She allows us to see how memory and  experience of the outside world sit with in her body a misfortune can swell for a long long time in the mind and as she is introduced to writing how she uses the process,  like a river, to have such heaviness flow outside of her. However, Jenny does not romanticize this process or the reality of being a poet; Throughout the text there are a few pieces where we are invited to the other side, to see a bit of the tournament with in oneself when holding all these memories, these writings, this desire to write, and the blurred lines between all of those; let there be no braiding of words. I want a spare mouth. I am protective of what eyes cannot pet open. The unannounced. The infinite places within language to hide.
Throughout the text we go everywhere with Jenny, we experience all of the things around her she immediately puts us in scene by creating landscapes of sounds, people, fragrances and visual tapestries she sews before our very eyes on the page. This made me think about the places we all go as individuals, how we all carry collections of the places we have been with us. Xie's perspective brought to light the difference between writers and everyone else for me, and how we decide to make space our lives for these truths and landscapes- funny, the way we come to understand a place by wanting to escape it.


Also- EXIT, EVE  is absolutely incredible, great way to close the middle section and begin the final pages. My favorite poem of the collection!!!!

Thank you Jenny Xie

4 comments:

  1. So well put!! I love her line about loving film as a kid - and seeing and not being seen! I feel like that is somehow a part of the title, the central theme, etc. Memory, vision, point of view, things that look back and things that don't. Thank you for sharing!

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  2. Jesi, this is well put! I love that you bring in some of your experiences with writing. I also admired the way Xie brought in her experience as well, it adds to the authenticity of her work! I also loved this piece, truly one of my favorite.

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  3. I have really appreciated the poet's who we have read who reflect on their writing process and the purpose and struggle of this form of expression.
    " We have language for what is within reach
    but not the mutable form behind it./Or else, why write."

    really got me. This reaching for truth is so so true and complicated. I really identify with what you said about the places in our heart, "how we all carry collections of the places we have been with us." and also think about how this book made me think a lot of the reflexive quality of how we too affect the space around us. Thanks for your writing!

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  4. This is a great discussion Jesi, it reminds us of how the world comes together as a poet (or a filmmaker) and where the emotions originate.
    nicely done
    e

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