I like where I found myself in the beginning of this
poem with the line ‘the thing sheds its skin in water’ it evokes this image of a
mysterious creature. I think creature because of the ‘thing’ reference.
What I saw being detailed next was the poem’s
direction towards talking about a relationship between a ‘her’ and this ‘thing’
that sheds its skin in the water
It seems like the point where the two met was a ‘poisonous’
place implying that the relationship between the two will be off to a wrong
start. I’m looking at the line ‘the poison of revenge gone native in the grass’
I thought this was interesting because of its narrative value that springs into
verse.
Yet, there are many lessons in being with a mysterious
creature that sheds its skin in the water and it seems this poem lays them out
for us. I am thinking of the line ‘lovers come and go/ but the
true other is a muscle between forefinger and thumb/ Why avoid his lumbering
return?’ I was thinking this line was a message of self-love, a recognition
that lovers are on a spectrum of a revolving door so why not love your own
self.
And maybe the character is questioning that in their own selves, almost
interrogating themselves, why don’t I love myself more fiercely instead?
I am also thinking of when the narrator throws
themselves into the water. This was symbolic on many levels to me, I was
thinking of the ways intimate relationships can feel like being in an ocean of
the other person, and how it can feel like you’re drowning sometimes.
By the end of the first section, we get this shift. It
seems now that the drowning has taken place and that there is recognition of a
new self, that there has been a change. I am thinking of the line ‘this
experience has made me unnatural/ Where he goes, he knows that I will follow’
I also saw a lot of language surrounding birth being used, I liked
the poet’s use of the word ‘cuals’ for me it was visceral and yet very tied
down to reality, in the ways in which the narrator is unsure of the raising of
the newborn between them.
I am thinking of the line ‘unsleeve the cauls as a
fetus-gifts,/ their crippled being alien,/ a litter in the albumen of thought./
Whatever our deformity,/ here it is a lost child.’ Albumen also being a
reference to an aspect to the birth of chickens as it is what is known as egg
whites, or where all the protein comes from.
The ending also seems like a resignation in some ways ‘but
I am his nightfall, his abandoned grief,/ and my scarred surface never heals’ I
found the last few words haunting. I thought the way that D.S Marriot
constructed and told this poem was like a thread-work of watery words!
Duane!
ReplyDeleteI love love your take on this piece. I too found my self pausing at the moments of agony in the poem when the narrator is shoveling pieces of themselves out for others to feast upon while simultaneously chipping away at their own foundations- such a painful scene to witness and yet one too often relatable.
I felt like the entire piece was a reflection of the dark and grey matter that makes up the relationship with one's self. The circular motion of the poem brought me to thoughts of birth, never-endingness, and a submission to the pain that has a tendency to feel and may be, inherent.
Thank you so much for sharing your insight!
-Jesi
Duane, i can feel how you submerged in this poem and how the images weren’t as specific in terms of interpretation for you. The layering of the wet and gray places could be birth, but also a kind of destruction. Nicely done, Duane, Elmaz
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